Art: refers to the theory,
human application and physical expression of creativity found in
human cultures and societies through skills and imagination in order
to produce objects, environments and experiences.
Perception: (from the Latin
perceptio, meaning gathering or receiving) is the organization,
identification, and interpretation of sensory information in order
to represent and understand the presented information or
environment.
Modern art: includes artistic
work produced during the period extending roughly from 1860 to
1970. The term is usually associated with art in which
the traditions of the past have been thrown aside in a spirit of
experimentation.
Aesthetics: is a branch of
philosophy that deals with the nature of beauty and taste, as well
as the philosophy of art. It examines aesthetic values often
expressed through judgments of taste.
( All works with title bar by ©noud van dun)
U.F.O. (2016)
U.F.O
(Unknown
Future
Objective)
110 x 190cm
Acrylic on canvas
2016
full size
detail 1
detail 2
detail 3
D.I.S.C.O (2015)
.img-2
D.I.S.C.O
(Delusive
Interpretations
Simulating
Coherent
Objectivity)
140 x 270cm
Acrylic on canvas
2015
full size
detail 1
det 2
detail 3
Banksy
Love is in the Bin 2018
Love is in the Bin is a 2018 art intervention by Banksy at Sotheby's London. According to Sotheby's, it is
"the first
artwork in history to have been created live during an auction." His 2006 painting of Girl with Balloon
unexpectedly
self-destructed immediately after it was sold at auction. The damaged painting was later renamed Love is
in the Bin.
It
has been on permanent loan to the Staatsgalerie Stuttgart since March 2019. In October 2021, it sold at
auction for
£18,582,000 (then equivalent to US$25,327,452 or €21,896,100), a record for the artist.
Original work
The painting is an adaptation of Banksy's 2002 mural Girl with Balloon, rare as a unique work rather than a
print. It
was given by Banksy to a friend shortly after the "Barely Legal" exhibition in 2006. Banksy has said he
prepared the
self-destruct mechanism at this time in case the work was ever put up for auction.
If at first, an idea is not absurd, then there is no hope for it !
Albert Einstein
Taxonomy/Entropy (2017)
.img-3
Taxonomy/Entropy
(an analogy)
180 x 200cm
Acrylic on canvas
2016/2017
full size
detail 1
detail 2
detail 3
I like to think that the moon is there,
even if I am not looking at it.
Albert Einstein
OVERVIEW
D.I.S.C.O & Taxonomy/Entropy
1.Opinio:
"a belief, judgment, or way of thinking about something"
2.Aeoths:
"godlessness or atheïsm"
3.Seditio:
"a conduct or speech inciting people to rebel"
5.Invidia:
"a sense of envy or jalousy"
6.Bellum:
"a state of armed conflict, aka war"
E.N.I.G.M.A (2016)
.img-5
E.N.I.G.M.A
(Exploring
Non-linear
Ideas
Generating
Multiple
Answers)
170 x 270cm
Acrylic on canvas
2016
full size
detail 1
detail 2
detail 3
H.O.T.E.L (2018)
.img-6
H.O.T.E.L
(Hopeless
Opposition
Transcending
Existential
Limitations)
170 x 270cm
Acrylic on canvas
2018
full size
detail 1
detail 2
detail 3
Johannes Vermeer
( The Allegory of Painting 1667 )
H.O.T.E.L
( extracted detail )
It's not your paintings I like, it is your painting.
Albert Camus
A brief introduction to Albert Camus and the problem of absurdity:
Mind the Gap (2010)
.img-8
Mind the Gap
150 x 250cm
Tempera, charcoal and acrylic on canvas
2010
full size
detail 1
detail 2
detail 3
About "Mind the Gap"
Mind the Gap (2010)
Mind the Gap is a composite image. A composite landscape made up of landscape elements
that are isolated
from their
original context and reassembled as a painted 'cut and paste work' to form a new landscape.
The individual parts are no longer experienced as a homogeneous part of the overall picture.
The landscape has little in common with the representation of a landscape from the real world.
It doesn't make sense.
Too many missing parts, parts that don't belong.
The underlying idea or motivation that led to this image mainly concerns the concept of
reconstruction.
Reconstruction is a control mechanism that we (consciously / unconsciously) are constantly working on
in
keeping the
world around us understandable. To be able to interpret things, to solve problems or to understand
yourself or someone
else.
However, a reconstruction always takes place afterwards. Depends on the available information from the
past and the reliability of the source, not least how we subsequently process that information.
The information is often brief or too fragmented to form a conclusive picture.
The gaps in the provision of information (Mind the Gap) are filled in on the basis of assumptions,
what
is perceived as logical, the prejudice or the lie.
This leads to a distorted image of reality.
Noud van Dun
Mind the Gap is een samengesteld beeld. Een composiet landschap opgebouwd uit landschapselementen die
zijn geïsoleerd
uit hun oorspronkelijke context en als een geschilderd ‘knip en plak werk’ weer zijn samengevoegd tot
een nieuw
landschap.
De afzonderlijke delen worden niet meer als homogeen deel van het totale beeld ervaren.
Het landschap kent nog maar weinig raakvlakken met de voorstelling van een landschap uit de reële
wereld. Het klopt
niet. Te veel ontbrekende delen.
Het achterliggende idee of motivatie wat heeft geleid tot dit beeld gaat voornamelijk om het begrip
reconstructie en het
reconstrueren.
Het reconstrueren is een controlemechanisme waar wij (bewust/onbewust) voortdurend mee bezig zijn in
het
begrijpelijk
houden van de wereld om ons heen. Om zaken te kunnen duiden, problemen op te lossen of om jezelf of
iemand anders te
begrijpen.
Een reconstructie vindt echter altijd achteraf plaats. Is afhankelijk van de beschikbare informatie
uit
het verleden de betrouwbaarheid van de bron en niet in de laatste plaats hoe wij vervolgens die
informatie
verwerken, en met welke intenties.
Vaak is de informatie summier of te gefragmenteerd om een sluitend beeld te vormen.
De hiaten of de leegtes in de informatievoorziening (Mind the Gap) worden ingevuld op basis van
veronderstelling, wat men als logisch ervaart , het vooroordeel of de leugen.
Noud van Dun
Observations not only disturb what is to be measured, they produce it !
Pascual Jordan
Patchwork (2012)
.img-9
Patchwork
170 x 270cm
Acrylic on canvas
2012
full size
detail 1
detail 2
detail 3
Marcel Duchamp
'Fountain' 1917
Duchamp
destroys the stable historical referent by detaching a urinal from its commonly understood function.
This piece questions the very nature of art and representation. Ready-Made Signified a generation's revolt
against
tradition, western civilization and the cult of the old masterpiece.
In 2004 'Fountain' was declared the most influential artwork of the 20th century.
Sixteen replicas were commissioned from Duchamp in the 1950s and 1960s and made to his approval.
There are rumours that the urinal was in fact not created by Marcel Duchamp?
Read this: the iconic
fountain 1917 is not created by marcel duchamp
P.A.N.O.R.a.M.A (2014)
.img-10
P.A.N.O.R.a.M.A
(Psycho
Analytic
Neuro
Observation
Ristrictions
and
Major
Anomalies)
140 x 240cm
Acrylic on canvas
2014
full size
detail1
detail 2
detail 3
.img-15
Overview
Patchwork & P.A.N.O.R.a.M.A.
René Magritte
'La Trahison des images' 1929
(aka 'Ceci n'est pas une pipe.')
Like the other artists and poets associated with the Surrealist movement
Magritte sought to overthrow what he saw as the oppressive rationalism of bourgeois society. His art
during
these essential years is at times violent, frequently disturbing, and filled with discontinuities. He
consistently
interrogated conventions of language and visual representation, using methods that included the misnaming
of
objects,
doubling and repetition, mirroring and concealment, and the depiction of visions seen in half-waking
states-all of
them devices that cast doubt on the nature of appearances, both in the paintings and in reality itself.
Mind the Gap (2009)
.img-11
Mind the Gap
170 x 270cm
Tempera, Acrylic, charcaol on canvas
2009
full size image
detail1
Art is the imposing of a pattern on experience,
and our aesthetic enjoyment is recognition of the pattern
Alfred North Whitehead
OVERVIEW
D.I.S.C.O, U.F.O, H.O.T.E.L
The Present (2016)
.img-12
The Present
200 x 165cm
Acrylic on canvas
2016
full size
detail1
detail 2
detail 3
Art is not what you see but what you make others see
Edgar Degas
OVERVIEW
Mind the Gap series
Art cannot be modern.
Art is primordially eternal.
Egon Schiele
Cattelan's banana sold at Art Basel for:
$120.000,-
(and subsequently eaten by another artist)
Maurizio Cattelan
'Comedian' 2019
So, what happened?
Cattelan has turned the act, the truly absurd event, of rich people buying bananas and the ensuing media
spectacle
into a kind of performance art.
‘Comedian,’ with its simple composition, offered a complex reflection of ourselves on how we assign worth
and
what kind of objects we value. It’s the grotesqueness of the sale and ensuing
spectacle, and more specifically, it’s the idea that the system is absurd.
So don’t ask if the duct-taped banana is art. Ask if it’s any good.
It’s not the banana that constitutes the art.
One could say it is like the emperor's new clothes. Some 114 years ago Marcel Duchamp already submitted his,
now world famous 'Fountain',
for an exhibition of the Society of Independent Artists. Fountain was not rejected but the work was never
placed in the show area.
Just like duchamp's urinal Cattelan's banana was eventually removed from gallery Perrotin's booth at the art
fair, although for a completely different reason.
The work of art had caused ‘several uncontrollable crowd movements'.
Mind the Gap (2008)
.img-15
Mind the Gap
150 x 160cm
Tempera, charcoal and acrylics on canvas
2008
Modern art is a disaster area. Never in the field of human history has so much been used by so many
to say so little.
Banksy
The Expansion of the Universe (2014)
.img-14
The Expansion of the Universe
250 x 150cm
Acrylic on canvas
2014
full size
detail1
detail 2
detail 3
Far from ready yet, there is a lot more coming!